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patterns of ink

How fruitless to be ever thinking yet never embrace a thought... to have the power to believe and believe it's all for naught. I, too, have reckoned time and truth (content to wonder if not think) in metaphors and meaning and endless patterns of ink. Perhaps a few may find their way to the world where others live, sharing not just thoughts I've gathered but those I wish to give. Tom Kapanka

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Location: Lake Michigan Shoreline, Midwest, United States

By Grace, I'm a follower of Christ. By day, I'm a recently retired school administrator; by night (and always), I'm a husband and father (and now a grandfather); and by week's end, I sometimes find myself writing or reading in this space. Feel free to join in the dialogue.

Sunday, February 21, 2021

A Case for Love

(This story is reposted from the October, 05 and February, 2007 and now here in 2021.)

















The name of the street was Lovejoy, That was really the name, and the house stood proudly at the top of the street’s long hill. No two houses on the street were alike, and shade trees lined  both sides —the way streets used to look. It was a classic two-story built in 1922 with great lines and two strong columns on the porch.  We loved it the moment we saw the realtor sign in the yard, and we made arrangements to see the next day.

The inside seemed to whisper at each nook and archway that this was a home where memories had been made and where they lingered still. There was a corner nook beside the fireplace that seemed built especially for a Christmas tree, and though it was only June, that feature alone put a sparkle in our eyes that rang true to the street’s name.

Our two Christmases there confirmed that this was,  indeed the most enchanting home we would ever own. The front room fireplace crackled and cast a glow on the tree in the corner. Sitting there in my winged-back chair, I lacked only a pipe to hold smokeless in my mouth. I do not smoke a pipe, and never have, but it was the kind of house that prompted fathers to smoke pipes back in the day. 

I had envisioned seeing my girls grow up in those charming rooms—birthday parties in the family room, prom pictures on the entry stair—and all the points of passing time such pictures hold in memory. But a different kind of change came, and two years after moving in, we were moving away. 

With the interior touches we’d done, we listed at 30% above what we had paid and marketed it ourselves by making a brochure and hosting our own "Open House.” The traffic of lookers was non-stop and very encouraging. Some we knew were there just to check out a house they had no intention of buying. We knew such people existed because Julie and I often did it ourselves. Still it was fun to know that our efforts might pay off. After two hours, as a hint for people to leave, we began putting away our signs and brochures, offering cookies from half-empty plates, and thanking people for stopping by. 

Eventually all the guests filed out the front and side door of the house—that is, all but one gray haired lady who remained on our porch smiling at the others as they left. She was a sweet lady, and behaved as if she were part of our family invited over to add to the ambiance of baked cookies and lit candles, but the fact is... we  did not know her. 

I had first noticed her about an hour before, taking a self-guided tour through every inch of all four levels from basement to walk-up attic. Two buyers were coming back that evening, presumably to make an offer. Was she going to beat them to the punch? She was dressed like she could afford our asking price, but what would she do with such a big house? She must have read my puzzled eyes. 

"I wanted to wait until the others were gone," she whispered politely. "My name is Charlotte Bascomb, and I lived in this house for twenty-five years. Our two boys grew up here and went off to college from this doorway." "Oh, come in," we begged, "and do tell us more about it." 

My wife and I love learning the stories behind things we own, whether it's a hundred-year-old chair or a house, and up until that moment we had only imagined how the years must have passed in this storied home through the Roaring Twenties, the Great Depression, WWII, the fifties, and so on. As it turned out she had lived there from the late Fifties through the early Seventies, but to our surprise, she said their story had ended badly. We were surprised at how stoically she told of her last years in the house, and how her husband, who was a lawyer, had become an abusive alcoholic which led to a divorce and, in the end, to his untimely death. She told the account as if it had happened to a neighbor and not herself. We soon learned why the details seemed so distant. 

 "After that, I stayed in the house for a few years. The boys had taken jobs out of state. and I didn't like being here alone, so I bought a smaller place. I was alone when the moving van pulled away with everything I owned. I walked through the house one last time from basement to attic—to see if I'd forgotten anything but mostly to remember... things... you know..." (We nodded without a word). 

"I ended up in the attic and was just about to leave when I thought I saw something way back in the corner. I walked across those rickety floorboards toward a shadow that looked like a little suitcase. You know how bad the lighting is up there." [She was right, but I had added two fixtures.] "By the way, you have the attic so cute. I saw the pictures of your three girls in the hallway, and when I went up in the attic, I thought 'Well, this looks just like Little Women up here.' The way you have that dress-up room and all those antiques and things. I bet the girls love it." 

 "Oh, they do," we smiled, "and you're right, we often call them our 'little women' when they spend the day up there, but you were saying something about a little suitcase...." 

 "Oh, yes. That. Except it wasn't a suitcase at all. It almost frightened me the more I stared at it. I was afraid to reach for it in the dark, but soon as I touched the worn leather handle, I remembered what it was, and I brought it out to the window to see it in the light. The case was a dusty mess, but the clasps flipped up, and inside it was just as bright as I remembered it... beautiful red velvet. It was my son's saxophone. He played in the marching band at the high school. I hadn't seen it for years—who would've put it so far back? And then I remembered something that bothered me. This wasn't really my son's saxophone—it was the one he used alright—but I remembered that it actually belonged to an old family friend. You see, my husband played in a jazz band in college, and he and his buddies kept rehearsing for years afterwards even though they rarely actually performed anywhere. Things were good then…. Well, anyway, years later, my oldest wanted to play in the band and Howard—he was the friend—said we could borrow his sax. So all through school, John—that's my son—used it, but I had no idea we'd left it there in the attic all those years. It's a miracle I even saw it that day...in that dark corner. It was the only thing I carried out of this house the last time I was here." 

 "Wow. That's quite a story," I said. Her eyes glistened as she looked around the interier of the house once again. 

"And you almost left it here." Julie said half wondering what else to say. 

Mrs. Bascomb was clearly not ready to leave. We stood awkwardly in the entry way. I gestured toward the living room and asked if she would like to stay longer. "No. I really need to be going. I just wanted to meet you and tell you how wonderful it was to see that this was a happy, beautiful home again. I really can’t stay…” There was a long pause, and then she smiled like she had a secret to tell.

"This will only take a minute," she said. "There's more to the story."

"Are you sure you don't want to come in and sit?" Julie asked.

"No. I shouldn't, but I do think you should know... After things settled a bit—a year or so—I called Howard. He'd moved out east a long time ago, but I finally tracked him down. He laughed when I told him I found his saxophone, but he told me to just give it to Goodwill. I told him I couldn't do that—it wouldn't be right—and it wouldn’t, you know, not after all that." 

(We nodded in wholehearted agreement.) 

"Howard and I talked for the longest time. His wife had passed away a few years prior. That was too bad. It's hard to live alone." She meant the words and knew them to be true, but there was also a twinkle in her eye as if she had very few people to tell this story to, and she was savoring every tid-bit.

"Poor Howard... All alone. He was semi-retired but was getting ready to fly to Europe on business the next day. So we had to get off the phone, but he did ask for my number. Which... I thought was nice, you know... old friends and all—but since he didn't want the sax, I wasn't sure I'd ever hear from him. Well, about two weeks later who do you think called?" 

 Our eyebrows rose with unconvincing suspense, "Howard?" 

 "Yes. It was Howard. We visited a bit and then he said, 'You know, Char—he never called me Charlotte—I've been thinking about that saxophone, and you're right. I think I need to come and get it. Will you be home this weekend if I fly in?' Well, I was speechless. Of course, I'd be home. Where else would I be? But I didn't know what to say. I offered to send it UPS, but he said, 'No, I think I need to come and get it myself.' And that's just what he did. We had a wonderful time that whole weekend—he was always such a gentleman—but then he went and forgot the sax so he had to come back the next week. Well you probably guessed it... He kept coming whenever he could, and never took home that saxaphone. We got married later that year, and I spent the happiest 12 years of my life with Howard. It was wonderful right up until the end... cancer." 

The word abruptly punctuated her thoughts but had no effect on her smile, and her eyes still held the joy they found in those unexpected happy years. "It's been four years—just me again, but at my age I can't complain. I had a second chance at love and it was wonderful—just like our street sign says 'Lovejoy.'"

 There was another pause, but this one needed no words. It was my eyes that were glistening by then as they are now even as I type these years after hearing her tell this red-velvet story that makes such a compelling case for love. 

"Thank you for listening to an old woman's story and for making me feel welcome in my home—your home, I mean. I really do need to be going. I want to call my boys and tell them where I've been." 

 "The pleasure was all ours," we said, stepping to the porch and helping her down to the front path. Half way to her car she turned and took one last look at the house then cast a glance up at the attic window. 

 "I still have that saxophone in my closet at the apartment— be sure to check the attic corners when you leave." Her hand held back a laugh, but her shoulders shook a little as she smiled and turned toward her car.

© Copyright 2005, TK, Patterns of Ink 

(I was moved by this lady's story when "Mrs. Bascolm" [not her real name] told it to us in June of 2000. Hearing it made it even harder to accept the fact that we were moving. But we were also very happy the next day when the house sold to a Doctor with a young family. He and his wife couldn't wait to move in. Whenever we or our children travel back to that town in Iowa, we drive by "the little blue house" on Berkshire [which has since been painted yellow]. We lived there for 13 years. We also drive by this wonderful home on Lovejoy, where we lived for only two years before moving to Michigan. We love it here, but the house is newer and the seven years have passed too fast it seems for stories. [It has been my experience that the stories closest to home take the longest to crystallize into something you can hold up to the light and say, "Wasn't that beautiful."])

My daughter took this picture of us with her when she went to visit our former home town. She then carefully lined up the snapshot with the actual porch. I will never forget the night we moved away. It had taken all day to load the moving van and our two cars, and it was dark by the time we were ready to roll. Ready that is but for one missing item. It was not a saxaphone. It was Emily (the daughter who took this picture). I found her up in the room just beyond the windows at the top of the porch roof. She was sitting on the floor with her back against the wall. She didn't have to say a word. It was one of the hardest moments of our shared life. She was completely supportive of the move, and like all us, she has no regrets (nor do her husband and three children who would not exist were it not for the move), but it was a hard home to leave behind.


If you're in the mood for another story about a second chance at love,go to my April 06 Archive. Scroll down to April 1 "Visiting Home." It's the first of four sequential, "verse" posts about my Mom's wedding cake (and what happened fifty years later).

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Wednesday, February 10, 2021

The Wedding Book

(Reposted and slightly revised (to change the first two stanza from present to past tense) for the 70th Anniversary of my parents' wedding date: 2-10-2021)

I had gone back to our homestead 
 in the dead of winter and deep snow 
to keep my mother company for a few days 
in the now-quiet house our family built 
those many years ago. 

 It is a quiet comfort to step inside the one place 
on earth that in your mind is "home"-- 
not the house where you now live 
and share life with those who know the present you-- 
oh, that is home indeed, make no mistake, 
but I'm speaking of a corner in your mind... 
that place you left when it was time 
 that gladly takes you back again. 
If such a place exists for you, 
I highly recommend you go there while you can, 
and if inside there is a face to greet you at the door... 
then you will know the meaning of these lines. 

 I stood there with a gentle knock
 after a day at work and a four-hour drive. 
The front porch light was on, 
but the windows were dim,
and Mom was asleep on the davenport 
(as mother always called a "couch"), 
 but she woke at my knock, 
and stumbled to the door as if
her legs had not awakened with her.
We visited into the night until I nodded off 
and suggested we continue 
reminiscing in the morning. 
(Reminiscing is what becomes of conversations
stretched through time.)   

Rising early and alone with a pad and pen, 
I was drawn to the davenport and the pillow
still pressed in from Mother's head the night before. 
Sitting there, I noticed that 
the living room still knew the meaning of its name 
(but now a quiet sort of living to be sure). 
Gone were the days of horsy-back rides, 
our daughters’ song and dance upon the hearth, 
and wrapping paper strewn on Christmas morn. 
That sort of living in the room had faded like a snapshot 
left too many years upon a windowsill. 

It had been twelve winters (and twelve springs) 
since that bustle in the house 
that draws the tie that binds and finds 
 a way synchronize the laughter and the sighs 
till joy returns to vacant eyes 
enough to start the long goodbyes as one by one 
life calls apart what death has brought together. 

I smiled at how the many things find ways to gather 
undisturbed in corners where the carpet was not worn— 
and in countless numbers scrawled on torn scraps 
and backs of envelopes in the nook 
where the phone sat atop the yellow pages 
 left waiting on the corner chair. 
Across the room, was a row of photo albums 
in the shadow of the attic stair 
beside boxes waiting to be carried up 
next time the need to climb them came. 

And there it was I saw the wedding book 
was left waiting on the bottom step. 
Reaching through the banister I took the book in hand. 
Its pebbled ivory cover took me back the fifteen years 
when last it lay upon lap, 
the time my girls sat spellbound at my side. 
I'd borrowed it to make a video photomontage.
They'd never seen the book before-- 
a splendid volume of full-page black-and-whites 
with details crystallized in time: 
You can almost feel the softening varnish 
on the blackened backs of pews; 
and smell the winter on the woolen coats; 
and hear the hatted women in the crowd whispering, 
“Don’t look at the camera,” 
while children gaze bewildered in the lens.














It’s as if the photographer knew
these weren’t just wedding pictures—
especially in the group tableaus—
it’s as if he knew…
this was the cast party
of the unfolding play
that was our life before we lived.

Each shot is in the old historic church that shares its name
with the fort that once stood there
and the old lighthouse still standing
and the avenue that in its day
tied Port Huron to Detroit
and all points in between…
and thus became the byway of our lives.


The Wedding Guests

I rose to put some coffee on,
and when the pot had sputtered its last sigh,
Mom was up to share a cup
and ask me what I had there in my lap.
And so began a conversation
that saw us through to lunch and gave a glimpse
of how life’s yarn is spun and knit…
and how a Providential twist
can turn into the tie that binds.
















I opened to the reception picture,
the most intriguing of them all.
There’s a clock on the wall
that says it’s nearly nine, and in that moment
the basement of the church is filled
with shared contentment.

Mom pointed at the page.
“Doesn’t my dad look handsome there?
Look at Mumma, and your Dad’s mom,
and that’s Aunt Edith beside her.”

“Isn’t she the one who kicked
her underwear off the bridge?” I smiled.

“No. That was Aunt Dean,” she laughed,
turning back a page to point her out
and obliged to tell the story once again.
“Jupiter! She was walking home
across the 10th Street Bridge
in downtown Port Huron—
not Military Street, the other one—
and right in the middle of the bridge,
her elastic snapped and down they dropped
like a parachute 'round her ankles.
Do you remember?” Mom laughed.
(I wasn’t there, of course,
but nodded so as not to break her thought.)

“On the spot she had to choose—
her dignity or her drawers?—
she could not have them both.
The coming traffic forced her call,
and with a flick of her less than dainty foot
she nonchalantly kicked her panties
through the railing on the bridge—
pshhhhew—and let them billow down
to the boats below. Black River’s
busy that time of year, you know.
And then she walked right on home
like nothing happened.”

“Enjoying the cool summer breeze,” I added,
since she’d left out that line.

“Yep. That’s what she said
whenever we made fun.
But you have to remember,
that was during World War II—
there was a shortage of rubber,
and they were chinsin’ on elastic.
My land! we couldn’t even buy stockings—
we had to draw hose seams
on the back of our legs with eyebrow pencil.
Between the air-raid drills and Hitler
and our loose underwear,
we ladies lived in constant fear."

I’d heard the story and its tie-in to the war
a hundred times before
(as I had the many that followed),
but it was wonderful
to hear Mom’s laugh
and the lilt in her voice again.



The Wedding Cake

Mom turned the page
to the picture of the cake
and told me something
that I’d never heard,
nor was there cause
to hear it until now.
“Did you know Bob made
the wedding cake we served?”
“Your Bob?” I asked,
wanting to hear more.

“My Bob,” she smiled.

“His family owned a bakery
near the corner of 10th and Lapeer—
just five blocks from the bridge.”
“The underwear bridge?” I asked.
“Just a walk from there, and around the corner
from our house on Lapeer Avenue.”

“Time out, Mom. I’m confused.
You just said OUR house on Lapeer?"

“Well, we didn’t live there yet, of course,” she said.
"We didn’t move there ‘til you were born—
Let's see... Kathy in ’52; Paul in ’53;
Dave in ’54;and you in ’56—
So this was five years before.
Those were fun days weren’t they, Tom?
You in droopy diapers riding Duke,
and Dave and Paul wearing pots on their heads
in the sandbox, and Kathy playing dress-up...”

She drifted off to someplace in her mind,
a place I knew mostly from old photos
and the stories Mom and Dad so often shared.

“They were magic years, Mom, but… the cake.
You were telling me about the cake.”

“Oh, yea… Well, Bob and I
were in class together since 7th grade.
He’d come over to talk sometimes
when Barb and Jean and I
were sitting on the back-porch swing.
(She turned back to the reception page.)
That’s Barb there serving cake—
but that wasn’t the cake I’d ordered.
You see what happened was…
an acquaintance of ours had offered
to make a wedding cake,
and she brought it to my house—
you know, Grandma’s house
on Forest Street—the day before.
But the cake was not what I'd described at all,
and soon as she left, I just bawled.
I had no time and no money left to fix it
and then I remembered Bob.
He worked at his folk's bakery on 10th.
So I caught the bus, and...”

“Wait a minute, Mom.” I interrupted. “Why a bus?"

“I didn't have a license; I didn't have a car—
it was your dad who taught me how to drive,
but that was later on;
and Daddy, my dad, was workin' I guess;
and Dad Collinge was probably at the Grotto;
and Mumma never drove—ever...
but we always managed to get around—
just like she still hops a bus to the beauty shop
and she's just pert-near 100. Isn't that something?
I used to take the bus every day
from Riverview to Stone Street.
This is when I worked at Star Oil."

"I remember that you worked there—
it was by Pine Grove, but I guess
I never heard about the bus."

"Here's something else
I'll bet I never told you about Star Oil:
I worked in accounts receivable? Imagine that.
Me who flunked bookkeeping—
all I remembered about bookkeeping
was it being the only word
with three double letters in a row,
but they hired me just the same.”

My jaw dropped,“Now that I did not know..."

“What? About the double letters?”

“No that you worked in accounts receivable.”

“Ironic isn’t it, but that’s what I did…
right up ‘til a few months before Kate was born.
That was the only “job” job I ever had.
Then you kids became my job
and your dad, of course…
but he was working that day ‘til five,
climbing poles for Bell,
saving his days-off for the honeymoon…
so I knew he couldn’t take me.
I never even asked...”

“Take you where?” I wondered aloud.

“To the bakery to see about a cake.”

“Oh, yea. You got me thinkin' about that picture
of Dad smiling at the top of a telephone pole.
Most of your stories I know by heart,
but this cake one I’ve never heard,
and we keep veering off...
So it’s what time? Noon?
The day before the wedding...
and you still need a cake...
you get to the bakery… and then what?”

“I was afraid it was closed.
The door was stuck, but then
I pushed it, and the bell that hung inside
rang so loud it scared me.
No one was at the counter—
which was fine because I knew
I was about to cry again…
so I just stood there staring
at baked goods behind the glass.
I loved the smell of that bakery.
I used to walk you kids
there for doughnuts. Remember?”

“Mom, the cake. I’m like five years
from existing at this point in the story.
If you don’t get this cake,
I may never be born.”

Mom laughed, “You know how I like to tell things—
they're not tangled they're connected.

"So… I’m standing there and Bob comes
from the back to the green counter out front.
We’d lost touch since high school—
I’d heard he was married now—
but he was always such a friend.
‘Hello, Bev!’ He says, ‘What can I do for you?’
He said that. So I asked: ‘Do ya mean it, Bob?
Can you really do something for me?'
I think he could tell something was wrong.
‘I’ll sure try. What do you need?’
And then I just bawled.”

“Mom, you just walked into Bob’s bakery…
after not seeing him for what--three years?
And ya started crying? What did he do?
Had he seen you like that before?”

“Oh, probably. Everybody knew I cried easily,
but he just smiled and said:
‘Bev, for you I can do this.’
‘How can you do this by tomorrow?’
(I was so embarrassed to ask.)
‘For you, I’ll bake it this afternoon,
let it cool overnight, frost it in the morning,
and deliver it to the church myself.’
He scribbled the order on a pad,
open and closed the register drawer,
and said, “No charge.” And I cried again.

The cake was there the next day.
It was beautiful with little roses
on each of the sheet cake squares.

That was the last time I saw Bob
until our 50th Class Reunion
seven years ago. You know the rest."
I did know the rest,
but this story brought a smile
that had been missing
from a chapter of our lives.
Some things take time to understand.

Mom went to the kitchen for a bite,
and I turned to the last picture
at the back of the book.
Mom and Dad are sitting cheek-to-cheek
in the back of a borrowed sedan,
smiles beaming with all the love and happiness
they gave to us for forty-some years to come.














Dad died unexpectedly in ’95,
and Mom lived alone for a while.
Then the Class of ’48 called to see
if she was coming to their reunion.
She was ready.
By stepping briefly into her past
she was able to re-enter the present
and look ahead. Long story short…
Bob was also there and alone that night,
and their friendship was rekindled.
It slowly grew in the forgiving soil
that comes with age until it called for
a gathering of friends and family
about a mile from the other church
(the one in Mom's wedding book).
In a little chapel there
we shared another wedding cake
that as far as I know…Bob didn’t bake
the afternoon before.

Mom was right: Her stories aren't tangled at all...
they're unbelievably connected.

© Copyright 2008

The following video was made during my parents 40th Anniversary Year (which happened to also be my Grandmother's 80th Birthday. 
At the 2:02 mark of the video, you'll see that "they still had it" after a long sabbatical from the dance floor. We only recently discovered this footage on an unmarked Hi8 video tape that had been unwatched nearly 30 years then digitized just in time for the reposting of this story.



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